Meet James Dawson, your automotive advertising secret weapon. I've spent years mastering my process, enabling car creatives to do their best work.
I can meet the demands of nearly any vehicle shoot. With my two travel cases, I pack what I need to detail for any new vehicle, virtually anywhere in the world.
For productions on the U.S. east coast, we can arrange bringing my mobile truck for additional gear, such as my large water tank to wet the asphalt during shoots. However, most commercial work requires me hopping on a flight with my travel kit.
The car's condition should reflect the painstaking effort that went into the design, production, the marketing, and the emotions the shoot wants to convey.
With a commercial project, there is zero margin of error. Modern cameras are exceptionally unforgiving, and one minor error sticks out like a sore thumb on an otherwise perfect car.
Stay tuned for more details.